
Mastering by
J. LaPointe
























Welcome!
My name is J. LaPointe (yes, it’s pronounced “Jay”, short for Jonathan), and I’ve been mastering music professionally since 2003. Throughout my career I’ve mastered thousands of albums, working primarily with bands and individuals best described as DIY-focused artist-entrepreneurs, and by extension the engineers, producers, management, and labels that also operate within that sphere.
I’ve been fortunate to work with Gold and Platinum sellers (as well as hundreds of JUNO, Polaris Prize, CFMA and ECMA nominees and winners), but my impetus remains the community of creators in the cultural underground for whom music is an essential part of their life's work, and not necessarily their sole livelihood.
You can read more about the history of Archive Mastering here, and have a look at our mastering packages below.
I’m alway happy to hear from you to discuss your project, either via text/phone at +1 9024619992, or email to info@archivemastering.com
Thank you for visiting!
Mastering packages
Questions? Let’s talk!
Our studio
We work in a mastering suite designed for us by the world’s leading studio designer, Thomas Jouanjean of Brussels-based Northward Acoustics. Built to Northward’s exacting FTB standard, we are proud to say that our studio is one of the finest listening environments in the world, equalled only by a handful of Northward’s other designs in Europe and the US.
Every detail of our workspace has been designed and executed to allow us to do our best work on the widest variety of material.
Our analog signal path is completely custom. Designed by J. LaPointe to work as an integrated system with our Merging Technologies converters, it features a dual signal path with the option of colourful tube, transformer, and inductor based eq, or a completely passive design that achieves full analog eq capabilities without adding a single amplifier to the signal path, outperforming any off-the-shelf mastering equipment available today.
Weiss EQ1 MK2 and DS1 MK3 digital hardware complements the analog chain, and we use the Merging Technologies Pyramix system for editing and master production.
Analog tape playback is via a custom ATR Services ATR-102, with both 1/2” and 1/4” capabilities. Supporting infrastructure includes dedicated transformer isolated electrical service, and numerous network, AES, and analog patch points for easy client connections.
























































